{"id":611,"date":"2021-04-18T01:16:10","date_gmt":"2021-04-18T04:16:10","guid":{"rendered":"https:\/\/camilocarrara.com.br\/wp\/?p=611"},"modified":"2021-05-02T16:49:18","modified_gmt":"2021-05-02T19:49:18","slug":"osesp-respighi-roman-trilogy-cd","status":"publish","type":"post","link":"https:\/\/camilocarrara.com.br\/wp\/2021\/04\/18\/osesp-respighi-roman-trilogy-cd\/","title":{"rendered":"OSESP\/NESCLING – Respighi (Roman Trilogy) – CD"},"content":{"rendered":"\t\t
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Camilo Carrara colabora com a Orquestra Sinf\u00f4nica do Estado de S\u00e3o Paulo – OSESP, tocando instrumentos como bandolim, viol\u00e3o, guitarra el\u00e9trica e banjo!<\/p>

Sua estreia foi em 1994 com a 7\u00aa Sinf\u00f4nia de G. Mahler, sob a reg\u00eancia de Eleazar de Carvalho. Desde ent\u00e3o, s\u00e3o dezenas de concertos, 2 Turn\u00eas Nacionais e grava\u00e7\u00f5es com a principal orquestra da Am\u00e9rica Latina.<\/p>

Entre os regentes com quem trabalhou na OSESP, destacam-se:<\/p>

Celso Antunes (Brazil)
Eleazar de Carvalho (Brazil)
Gennady Rozhdestvensky (Russia)
Heinz Holliger (Swiss)
Ira Levin (USA)
Isaac Karabtchevsky (Brazil)
John Neschling (Brazil)
Marin Alsop (USA)
Olaf Henzold (Germany)
Peter Maxwell Davies (England)
Ricardo Bologna (Brazil)
Roberto Duarte (Brazil)
Roberto Minczuk (Brazil)
Victor Hugo Toro (Chile)
Wagner Politschuk (Brazil)
Yan Pascal Tortelier (France)<\/p>

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Abaixo as informa\u00e7\u00f5es sobre a grava\u00e7\u00e3o para o selo escandinavo:<\/p><\/div>

OSESP\/Neschling<\/span><\/div>
Camilo Carrara – Solo de bandolim em\u00a0L\u2019Ottobrata (3\u00ba Movimento das Festas Romanas de Ottorino Respighi)<\/span><\/div>
Classics Today<\/i>\u00a010\/10: “Among the great versions of this music on disc”;\u00a0Music Web\u00a0<\/i>International<\/i>: Recording of the Month: “Bravo”.<\/span><\/div>

Ottorino Respighi’s Roman Trilogy (the tone poems Pines of Rome, Fountains of Rome and Roman Festivals) holds a very special place in the orchestral repertory, challenging almost any other composition for sheer sonic audience appeal. Spectacular scenes such as Fontana di Trevi in the glitter of the mid-day sun, children playing under the pine-trees of the Villa Borghese or gladiators fighting at Circus Maximus provided the masterly orchestrator with the opportunity to employ the full palette of the large-scale symphony orchestra, to which he added various instruments, including organ, piano, celesta, glockenspiel, mandolin and tambourines. In fact, in the third part of the Pines of\u00a0Rome Respighi went even further and specified, for the first time ever in classical music, the use of a gramophone, playing a recording of a nightingale singing. As a result, these works glitter, shimmer, blare and thunder: a true feast for the ear which here has found worthy exponents in the S\u00e3o Paulo Symphony Orchestra (OSESP) and John Neschling. Previous releases by this team include recordings of music by Villa-Lobos and his Brazilian colleagues Camargo Guarnieri, Francisco Mignone and Claudio Santoro, and individual discs have been described by reviewers as ‘the most vibrant, colorful, rhythmically vital and virtuosic performances imaginable’ (on website Classics Today.com), ‘an orgy of colours and rhythms’ (in Diapason), and ‘an assured blend of lush colours, pulsating rhythms and supple phrasing’ (in International Record Review.) Such qualities certainly work in the Old World, too – and nowhere better than in Ottorino Respighi’s Rome!<\/p>

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Artista: OSESP – John Neschling
Camilo Carrara – Bandolim em L’Ottobrata
Selo: BIS RECORDS
Data: 2010<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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